March 2, 2016
Hey Mercedes Sewalong Day 2
- Day 1: Preparing the pattern, cutting the fabric and interfacing, and fusing the interfacing
- Day 2 (that’s today): Sewing handles and handle connectors, and creating pockets
- Day 3: Final assembly of bag
Please note: this sewalong is meant as an additional guide to the pattern instructions found in Windy City Bags; please read through pattern instructions in the book as well.
Handles
Handle Extenders
February 29, 2016
Hey Mercedes Sewalong Day 1
Here’s what the sewalong will look like over the next few days:
- Day 1 (that’s today): Preparing the pattern, cutting the fabric and interfacing, and fusing the interfacing
- Day 2: Sewing handles and handle connectors, and creating pockets
- Day 3: Final assembly of bag
Getting Started
- Take the pattern to your local office store and have the pattern copied
- Use your own home copier to copy the sections of the pattern you’ll need
- Trace the pattern onto tissue paper or tracing paper (this may be the simplest/cheapest option)
- Trace the pattern onto quilter’s templates (this is the option I chose)
I taped a couple template sheets together to get my piece long enough, and they’ll fold where I taped for easy storage. I used a permanent marker to copy the placement marks and the cutting instrcutions right on my templates. The other advantage to the clear templates, is that it helps to visualize pattern placement for fussy cutting.
I often write myself a list of what to cut from each material, but the book already has it laid out in that format, so I just followed along straight from the book. Once you’re done, go through the list one last time to make sure you’ve got everything. For cutting, I like to start with my interfacing. For this bag, the lining is all interfaced with shapeflex, so I cut my interfacing first, then fused it to my lining fabric, and then cut out my lining fabric – this helps save a bit of time by not having to trace the pattern onto my lining fabric. Make sure to cut on the fold. Some other people save cutting time by simply interfacing the entire yardage of the lining fabric, and then tracing and cutting both together; this option does save time, but it isn’t a very frugal method. You can also use the interfaced lining fabric as your pattern piece for when you cut the foam – this way you don’t have to fold the foam in half and it allows for more accurate cuts. For my exterior fabric, I used my clear templates, and this helped me visualize the design of my exterior fabric so I could have it just where I wanted.
If you like, you can secure the foam interfacing to the exterior fabric at this point. I find the Flex Foam, similar to the Soft and Stable, has a nap to it, so the fabric stays in place quite well. To secure the foam to the fabric, simply sew a basting stitch with 1/8″ seam allowance along all the edges. If you used fusible fleece, then you’ll want to fuse at this point instead of the basting stitch.
I highly recommend following the book’s suggestion and cutting the pocket trim on the bias, instead of a straight grain cut. It’s a small piece, so won’t “waste” a lot of fabric cutting on the bias. We’ll be using this piece on a curve, so the bias cut will allow us to place the trim along the curve nicely.
Once everything is cut and fused/basted, place it in a pretty pile and gather your matching hardware, thread, and zippers, and come back here for Day 2 of the sewalong to get started with pockets and handles.
Prize Details
February 26, 2016
Trying Something (Sorta) New-ish — February
I took on this challenge at the start of the year and didn’t quite get around to the English Paper Piecing I planned to learn for January. I just wasn’t motivated enough to make a bunch of hexies, because what will I do with hexies? And I spent most of the month in my doctor’s office anyway. She sends her regards.
This month, the theme was to try something tactile, like pottery, soap or candlemaking. I had really hoped to resurrect Patrick Swayze for one last dance around the pottery wheel, but alas! I had no clay to get dirty with and all of Montreal’s mud is frozen solid in February.
With pottery fantasies no longer being an option, I scaled back on the goal and cleaned up my act with something I had tried once before: Homemade Bath Salts.
The setup here is very important. Even if you forget one of the ingredients and have to run out to the store after you’ve started, that’s better than forgetting to pour yourself a glass of Moscato. See how I’ve got wine but no milk powder?
So, for approximately 4 cups (1 litre) of this yummy me-time goodness, here’s what you’ll need:
- 1.5 cups sea salt
- 1.5 cups epsom salts
- 0.5 cup powdered whole milk
- 0.5 cup baking soda
- 24 drops of essential oil (I made 3 separate batches: Lavender, Eucalyptus, and Rose)
- Food colouring (Optional, but it keeps me from opening all the jars every time I want to take a bath.)
- 1 large glass or ceramic bowl (No need to worry about food contamination because all of this stuff is ok to consume in small amounts.)
- Mixing spoon or spatula (Did I really have to tell you this, as if you were planning to mix it with your thumb?)
Step 1: Pour the Moscato and take a few sips. (Pretty obvious!)
Step 1.5: Dash to the store for the powdered milk. My store was out of whole milk and I had to buy the skim crap. At that price, I want fat in my milk!! [Insert childish tantrum here.]
Step 2: Mix together the baking soda and milk powder until you run out of lumps to squash.
Step 3: Add epsom salts and mix well.
Step 4: Drink some more wine.
Step 5: This is where you get to play with colour theory. (Oops! this was supposed to be Step 2, but the disappearing Magic Moscato got me confused. Anyway, we can still make this work.) … Mix a bunch of your food colouring together until you get the nice pretty colour that lets you know at a glance which oils you put in your concoction. If you’re doing lavender scented salts, my sympathies; that shit will not come out with the right colour no matter what you do!
Step 6: Stir the dry mixture and the food colouring mixture together (makes no difference which one you did first) until the colour is more or less uniform. Do not add Moscato at this stage!
Step 7: Add the dili… dele… deely… yummy smelzing essential oil to your misccature and stir it, baking sherrr that you don’t splim… slip… spill any.
Step 8: Salt it! So, after the room stops spinning, put the course sea salt in and mix it up.
Step 9: Fill up the air tight jars (the ones I conveniently forgot to mention ahead of time) and label them if you skipped the food colouring.
Step 10: Go outside in -12C, wearing a tank top and house slippers to photograph your … scratch that! It’s just my curse.
That’s pretty much it. Now, I’d love to stay and chat with you a little longer but I have a hot date with a tub of veeeery hot water… and maybe another glass, but who’s counting?
PS. It’s ok if the cat drinks your bathwater. He’ll get over it after a few trips to the litter.
PPS. If the measurements are off, don’t blame me. It was the wine. But close enough is good enough.
Tags: bath salts, bathtime, experiments, homemade, Moscato, TSNEM
February 25, 2016
Class Review – Mix & Match Clutch Bag Techniques
The Class
The Patterns
The Platform
The Instructor
Recommendation
The Discount
February 19, 2016
Sandra and Harriet
Sandra Saddle Bag
Harriet Expandable Tote
February 12, 2016
One Thimble Issue 10
One Thimble is a digital sewing magazine, or ezine, and the issues contain PDF patterns, tutorials, sewing articles, tips, and lots of great content. You can see my previous posts about One Thimble here, here, and here. Issue 10 is looking to be the best one yet. I’m blown away by all the amazing contributors and patterns it has. I’m also excited to announce that I am a contributor in this issue as well! I’ll include more details about that in a bit. You can enter to win a copy of One Thimble Issue 10 at the bottom of this post.
Adventure Flags
This unique pattern by Swoodson Says includes
It is available as a stand alone pattern, or included in Issue 10 of One Thimble . |
The appliques are all cut out of felt and I used freezer paper as the pattern suggests. This was my first time using freezer paper and I found it so easy and helpful to cut those intricate shapes out. I couldn’t imagine tracing them all individually onto the felt and then cutting out.
I really enjoyed the mix of fabrics and textures used for this project. I used felt and quilting cotton as the pattern suggests, but I also used a natural canvas muslin for the back of each flag, which really gave them a good weight and body. I think the natural canvas would have worked for the front as well.
Hop along on the tour and enter to win!
2/12 Pattern Revolution, Rebel and Malice, Happy Okapi, Sew Happily Ever After
2/13 Beri Bee Designs, Stitches by Laura
2/14 Bee Quilted, Pearberry Lane
2/15 LuLu and Celeste, Once Upon a Sewing Machine
2/16 Horris and Deedle, Baby Hobbes Design
2/17 Call Ajaire, Made by Sara, Sprouting Jube Jube
2/18 Snickerdoodle Stew, Made by Meli, Create 3.5
February 8, 2016
February Sales
Check the post on the Hey Mercedes Sew Along for a fabric discount and a deal on the Windy City Bags book.
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Did you know there’s a standing discount code for Happy Okapi readers to use at Blue Calla? Save 10% on sewing patterns with code OKAPI10
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